Assignment Movie

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As for Rodriguez and Weaver, who previously worked together in “Avatar,” let’s just say that they’ve moved on to happier assignments and politely leave their performances at that.-------------‘The Assignment’Rating: R for graphic nudity, violence, sexuality, language and drug use.

As for Rodriguez and Weaver, who previously worked together in “Avatar,” let’s just say that they’ve moved on to happier assignments and politely leave their performances at that.-------------‘The Assignment’Rating: R for graphic nudity, violence, sexuality, language and drug use.

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When she’s in down n’ dirty revenge mode, she cuts an imposing presence and does the noir anti-hero thing rather well.

The terse shoot out and murder scenes are all handled just fine by Hill, despite obvious budgetary limitations.

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(You can read Phil’s full review here.) The film was originally called, which seems destined to lure in a lot of people who have no idea what they’re getting into. release date, but for now, you can check out the trailer and get your cringe on below.

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It’s offensive and rude and inconsiderate, but as someone who grew up fascinated with exploitation cinema, the Marquis de Sade, and the tradition of crass, crude provocateurs, I have a soft spot for such purely insane and uncompromising trash.is a project that he has apparently spent 40 years developing, but it feels more like something that should have been made all those decades ago rather than a project that needed time to percolate.Yet there’s something charmingly sleazy about this absolutely batshit insane project as well, criticizing itself through a fantastically evil performance by Sigourney Weaver in a way that suggests a certain level of self-aware camp in addition to cheap thrills.Yep, that’s really the premise of the movie and one that treats transgender politics as tastelessly as it sounds.The concept of gender reassignment surgery being used as a form of punishment is problematic at best.There’s also a chance that Hill simply went off the rails with this one and delivered something so wildly lurid and insane that it’s a jaw-dropper of ill-conceived bad taste. That’s certainly an achievement of in and of itself.Either way, the flick is never boring for a second. The red flags are raised from the start as Sigourney Weaver, suggesting a wax museum Hannibal Lecter, is introduced in a straitjacket playing a calculating, Shakespeare-quoting mental ward patient and disgraced reconstructive surgeon who exacted a decidedly unorthodox retribution on the guy responsible for taking a hit out on her brother.That would be the snarling Frank Kitchen (Michelle Rodriguez, initially outfitted with unconvincing facial hair and prosthetics), who regains consciousness in a sleazy motel room to make the shocking discovery that he’s no longer a he.Rodriguez indeed plays a man initially, with full body prosthetics and a beard. Kitchen’s soon set up for a job that doesn’t exist and kidnapped. Rachel Kay (Weaver), a psychotic plastic surgeon who involuntarily turns Frank Kitchen into a women (yep, for realzies).There’s only one response to something like that: revenge, ideally flavored by bullets n’ bloodshed.

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