This week, write a poem you can imagine reciting to a new romantic prospect or lover, one that doesn’t necessarily dwell on traditional images or vocabulary of seduction but strives for a subtle sense of hope and urgency.
What kind of language do you use to invoke an immediate intimacy?
What is hidden underneath this version of the story?
, Sara Martin writes about compulsively reciting Paul Celan’s poem “Corona” on first dates as a “beautiful but impersonal” way to expedite intimacy.
This experiment provoked some to jokingly—or not—wonder if this might unleash the wrath of an Egyptian pharaoh’s curse.
Write a short story that considers what kind of consequences, mundane or fantastic, could result from bringing back to life organisms from thousands of years ago.“Glamour Shots was once the coolest store in every mall,” writes Mark Dent in the New York Times article “The Last Five Glamour Shots Locations in the United States.” In the mid-nineties, there were more than three hundred and fifty of these stores—part salon, part photography studio—around the world.Customers were treated to makeovers, and camera filters smoothed out any wrinkles or blemishes, a task that smartphones can now easily accomplish., Thessaly La Force asks, “What should an artist save?” while examining the eclectic archives left behind by artists, including boxes of fabric in Louise Bourgeois’s basement, a rejection letter addressed to Andy Warhol, and David Wojnarowicz’s “magic box.” Jot down a list of objects, physical spaces, and writings that you would consider integral to understanding the intersections of your life and work.Does the incongruity offer a different perspective of the space?Are the new features considered a disruption or are they welcomed? At Station Nord, a Danish military outpost and research facility located in Greenland just over five hundred miles from the North Pole, only six people and two dogs live there year-round.Keep this question in mind as you try writing a short story that revolves around a main character whose version of the truth—about another character, herself, or an event that has happened—differs drastically from a more objective reality.How does the storytelling perspective demonstrate this discrepancy to the reader?For this week’s prompt, write a story that takes place in a chain store that has outlived its glory days.Who are the regulars that frequent this space and what ties them together?