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Citing Merleau-Ponty’s phenomenology and placing the body’s perceptual experience as the basis of existential reality, I then argue that the human voice offers self actualization in a way that other sensory categories cannot, because the voice gives us control over what and how we hear in a way that we cannot control, through our own bodies alone, our sight, touch, taste, and smell.This idea combines with a listener’s imagined performance of vocal music, in which I propose that because of our familiarity with the articulations of human sound, as we hear a voice we are able to imagine and mimic the choreography of the vocal tract, engaging a physical and bodily listening, thereby making not only performance but also listening a self- affirming bodily reflection on being.The 1950s proved to be regeneration for Armstrong, as both a musician and a role model to several.
Louis Armstrong was born august 4th 1901 in the ghettos of New Orleans. He lived in a home of colored homeless people, where he met Peter Davis, (the band leader).
In 1922 Louis Armstrong joined Joe Oliver’s creole jazz band, and by doing that he later on met Lil Hardin.
His Hot Five and Hot Seven group recordings for the Okelt records label between 19.
They were the greatest that the label had accomplished in music to that point of time.
more During the 1930’s, Armstrong, who had established himself internationally as one of the greatest of all jazz musicians during the 1920’s, continued to make prolific musical recordings, appeared in Hollywood films, and maintained a rigorous touring schedule entertaining audiences worldwide. Using boxes of Ampex reel-to-reel tape as canvas, he compiled around 500...
more While Louis Armstrong is best known for his singing and trumpet playing, he was also known to be an engaging, witty writer as well as artful bricoleur of collages.
Edward ' Kid' Ory was a jazz musician of New Orleans' heritage.
During the 1920s he recorded and performed with some of the greatest names in jazz of the time, most famously recording with Louis Armstrong on the Hot Five recordings. more Edward ' Kid' Ory was a jazz musician of New Orleans' heritage.
The late fifties brought with them the civil rights movement, and many blacks saw Armstrong as a very important person of music, playing for primarily white audiences around the world.
Though these claims were not right, Armstrong was then in his sixties and primarily concerned with continuing to travel and perform.