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What is this thing that can so physically affect some persons?One poet called a poem "a thought, caught in the act of dawning." Another said a poem is a means of bringing the wind in the grasses into the house.Such tendencies make you want to lay hands on a good dictionary, where the facts are.
Having established the meter, we may also note the end words of each line rhyme in an alternating scheme we can denote as "A-B-A-B." Those end words are "shore," "end," "before" and "contend." So, we have an example here of rhymed iambic pentameter, a charming snippet of metrical verse from the pen of William Shakespeare.
Verse is poetic composition in regular meter, whether rhymed or not.
Here is an example of English poetry written in a regular meter: , the standard meter of English literary poetry.
An iamb is a metrical foot consisting of two syllables.
Greek and Roman lines were regular in their structure and could be classified and analyzed according to their component elements, the poetic feet in each line, which gives the line's meter.
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Over time, verse has come to mean poetic composition in regular meter, or metrical composition.The majority of poets today choose to work in free verse, though there are many fine poets still working in meter.Having loosely established what verse is, it should now be emphasized that verse is not what we mean by the word "poetry." Devices such as rhythm, rhyme, alliteration, meter, and regular line length are elements of verse which aid poets in producing patterned arrangements of language called "poems," yet, supplemental to these, certain qualities of imagination, of emotion, and of language itself must be added before we can properly call a piece of writing by the name of "poetry." Poetry is considered a higher thing than mere verse, and for good reasons.Like other forms of literature, poetry may seek to tell a story, enact a drama, convey ideas, offer vivid, unique description or express our inward spiritual, emotional, or psychological states.Yet, poetry pays particularly close attention to words themselves: their sounds, textures, patterns, and meanings.The first syllable is unstressed and the second syllable receives a stress, as in "ta-DA." There are five of these feet in each line, which is why it is called "pentameter." Below are two of these lines divided by stroke marks into their component metrical feet (iambs) and the stressed syllable in each foot is capitalized: Not every line of the four lines first quoted above is a perfect iambic pentameter line.Good poets change their meters occasionally to provide variety or for other reasons, but since the predominant meter is iambic pentameter, we can say that is the meter of the poem.(If unrhymed, it is called blank verse, as in Milton's Paradise Lost or Shakespeare's dramatic verse.) The exception to this is free verse, which abandons metrical regularity altogether.Yet it, too, "turns" on the basic unit of the line and may rightfully be called verse.Yet another stated, even more enigmatically: "Poetry is a pheasant disappearing in the brush." It is just like poets, of course, to talk this way: .It often seems they refrain from saying a thing straight if they can give it a little twist.