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Shakespeare’s Romeo and Juliet and the love that unites them might be considered a single person that tries to free itself of the contradicting circumstances that oppress its desired course of development.In other words, the tragedy of Romeo and Juliet seems to hide not in the tragic fate of the lovers, but in the tragedy of never-ending struggle between a personality’s strive for freedom and the social, economic, and cultural circumstances that imprison and limit this strive in various ways.
The death of the girl at the end of the work looks natural from the point of view of historical norms, and from the standpoint of the passion that was characteristic of the young heroes of the tragedy: Juliet could not live without Romeo, Romeo was gone, Juliet was gone.
The death of the youth (Romeo and Juliet) – the next generation of the family traditions of Montague and Capulets – places the decisive point in the conflict of the warring Verona families on both the plot and the moral level.
To reveal this approach, a detailed review of both interpretations seem important, showing that Shakespeare explored the relations between a person’s choice and the external pressure of the society.
Shakespeare’s Romeo and Juliet was first published in 1597, becoming one of the most famous pieces of the playwright.
Although the main love story does have a fatalistic arc, Shakespeare numerously gives suggestions of the possible alternative outcome throughout the play.
To read Shakespeare through a prism of classical tragedy genre would be a mistake, as the playwright is famous for the incredible level of complexity of his works.The play tells a story of a tragic love between young people – Romeo and Juliet – who are members of two hostile Verona families, Montague and Capulet.The rivalry between the richest and most powerful families in Verona was the core reason of the tragic fate of Romeo and Juliet’s love, as the lovers felt high pressure from their families and the duties that their social environment imposed on them.As Nevo noted, “Tragic drama requires that the bare event, otherwise lost in its triviality, be developed, shaped, and structured so that its final form may represent the contour of a human life – a fate – and be fully and finally comprehended” (Nevo, Ruth 3).Without a doubt, Romeo and Juliet does possess these qualities, as it tells a full story of the beginning of love that seems doomed from the beginning.The main idea of the play is to affirm the new moral values inherent in the humanity of the Renaissance.So, we can judge that this tragedy is more a tragedy of personality and circumstances. Check out the answer in our One of the most widely known plays of Shakespeare, Romeo and Juliet presents a large material for a variety of interpretations and perspectives for analysis.Because of the incongruity of their social background, the central heroes are faced with constant issues that set them apart, despite the pure and strong love that they feel toward each other.Romeo and Juliet is widely known as a classical tragedy mostly because of the fatalistic spirit of their love story.As Peter Donaldson stated, “there is always a play within a play in Shakespeare” (Donaldson, Peter 59).Therefore, although the play is primarily presented as a classical tragedy, it seems to involve a deeper level of narration.